People who do color critical work know this, but in case you wonder why matte screens is the industry standard/ preferred choice in photo and video editing, think about this: Imaging you are wearing a bright red colored shirt and doing color critical editing on a photo with red hues – your red shirt would be reflected onto the subject you see on the screen and now you no longer know what color you are truely looking at (it is a mix of the source and your shirt).
Now, this example is exaggerated as a matte display would also will be somewhat affected and if you are doing color critical work, you would ensure that the colors (and light) of the enviroment would be as neutral as possible.
This is not to say that coor editing on glossy screens doesn't have their place, if your target devices are mainly glorry screens, that could be the best match (WYSIWYG).
Once upon a time, matte displays was the only acceptable thing in photo editing because they more closely mirror the print media (paper), but now photos are probably more looked at on scrrens than print.
Now, this example is exaggerated as a matte display would also will be somewhat affected and if you are doing color critical work, you would ensure that the colors (and light) of the enviroment would be as neutral as possible.
This is not to say that coor editing on glossy screens doesn't have their place, if your target devices are mainly glorry screens, that could be the best match (WYSIWYG).
Once upon a time, matte displays was the only acceptable thing in photo editing because they more closely mirror the print media (paper), but now photos are probably more looked at on scrrens than print.