It also helps them with sidestepping copyright issues with modern artists, as well as not having to deal with the whole "messing with other visitors" thing.
I'm a total noob with very little idea of what I'm doing.
Wow, what a picture.... so clear at iso 1600 too! what lens did you use for this? loving the line of sun reflection off the boats! that would make a very nice wallpaper, sir
Model: NIKON D300
ISO: 1600
Exposure: 1/200 sec
Aperture: 4.0
Focal Length: 300mm
Very nice, really good composition and just such a good photo tiny bit overexposed though? ah i dunnoFrom my walk through Puyallup. Just doesn't want to go.
EXIF Summary: 1/20s f/5.6 ISO100 39mm
Dale
just
I snapped this picture sometime around 7:30ish. I stayed awake all night and decided that I should take pictures in the sixteen degree weather when the sun first came up.
Why I stayed outside all night I'll never know...
The other issue in museums, is lighting. Curators really do not like flash photography, since over time light damages the color of many of our artifacts. Light damage is cumulative, and can not be reversed. Museums are charged with the care of their collections for the long term. You can see the damaging effects of light on your own. Print two copies of an image put one in a drawer or other location which is not exposed to light, and one in a spot that has a bright light source or sunlight, wait 6 months or longer and compare the two images. One could also cover on half of an image with black paper to block light, check the print periodically over time it should not take too long for color shifts to begin to appear.
In our museum, we allow photography, but no flash.
^^^
OMG... that train's crashed. Did all the little guys get out OK??
I can't believe you're not concerned about the sheep!
What sheep they look COWS
I can't believe you're not concerned about the sheep!
What sheep they look COWS
The two sheep, which are the all-white animals under the left-most cow.
The two sheep, which are the all-white animals under the left-most cow.
Sorry boy!either I need new specs or you have a way to blow that picture up big, no hard feelings will observe better next time.
(snip) Very nice, really good composition and just such a good photo tiny bit overexposed though? ah i dunno
This is a great photo and steps out of the Serene Beast mode that a lot of big cat photos, especially tigers, seem to fall into. As others have noted, the wild look is really striking. All I can say in regards to comments is that the background and surrounding environment flatten it out a bit because they have the same tonal range as the cat. I cropped it a bit to emphasize the expression. Comments?
Dale
I went for a walk on the docks of Thomas Basin yesterday in the late afternoon. The light on the bow of the old wooden troller Tradition was quite cool.
Cheers.
I like the crop, as I can see what you are saying about the tonal range of the background making it look a bit flat.... is there any way one could avoid this in practise, given that I could not ask the kitty to move nor could I control the lighting without getting eaten setting up flashes close by?
In a new addition to the thread, took this from the girlfriend's london flat yesterday evening (but had no internet to upload!), I quite like the look.
link to bigger http://farm3.static.flickr.com/2774/4185698099_b44c8f926b_b.jpg
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