Downloaded Ps CS4 demo recently & have been playing around with it. Here's a photo I edited for the first time using the set technique.
Could you or anyone else describe how this was done with PS? I ask because I 've done a few photos like this by adding a black and white layer over the original then adding another color layer of the original, adjust the opacity, then erase out the color I don't want. All that erasing gets tiresome and you have to be pretty precise in some areas is there a easier way to do this? Thanks
Now that I have a macro lens, no flower is safe! I'm having a lot of fun with it.
60mm
f/2.8
1/125
ISO 200
You already got a great lens, Phrasikleia is just 10mm more, I think it will compensate and not having a need to get another glass.50mm 1.4
Reminds me of the work of Georgia O'Keeffe...
I am envious! I want a good macro lens, but don't think I can get away with any more spending for a while. New LowPro back pack this month, and SB 600, 50mm 1.4 and a 55-200 mm 4-5.6 last... I might ... make it, Know there would be some major discussions at the dinner table if I went for more.
Really like this one, only two colours and how the flower manages contrasts against the patch of green. Nice one Phrasikleia.
You already got a great lens, Phrasikleia is just 10mm more, I think it will compensate and not having a need to get another glass.
But, okay beside the focusing distance difference, what is the other difference between a macro and non-macro? I have the 100 f/2.8 but I cant get enough to the subject due to min focusing distance, I wonder if my 100 f/2.8 would work better on a FF?He said he will be getting the 50mm f/1.4, but that isn't a macro lens.
Whatever it is you do, I hope you keep on doing it for a long time. We're lucky to have a real master of light here to keep us all inspired.Doylem said:Well, Phrasikleia, it sounds like you know what you're talking about, so I won't argue...
There are 101 ways to take pix, and I would not dream of imposing 'my' way on anyone. But it is so very liberating to 'let go' of all my thoughts when I'm out in the landscape. If I'm thinking about f/stops, or apertures, or programmes, or composition, or whether I left the gas on back home... then I'm really not giving enough attention to what's happening around me.
I learned about composition years ago, and a bit of colour theory, and the history of art (not to the depth you may go... but enough to bluff my way through a conversation ). So when I go out in the landscape, I'm confident that my subconscious mind will handle the nuts and bolts of picture-taking... leaving me to look and listen.