Thanks
. Such a good photo it actually had me wanting to know more ! I feel some closure now!
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Photo of the Day: May 2010
- Thread starter Designer Dale
- Start date
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. Such a good photo it actually had me wanting to know more ! I feel some closure now!
Leaning cowboy
Camera: Pentax K20D
Lens: Tamron 17-50mm f/2.8
Filter: Hoya Super HMC CPL
Focal length: 35mm
Exposure: 1/125s
Aperture: f/8
ISO: 200
Camera: Pentax K20D
Lens: Tamron 17-50mm f/2.8
Filter: Hoya Super HMC CPL
Focal length: 35mm
Exposure: 1/125s
Aperture: f/8
ISO: 200
More architectural whimsy: Blencow Hall, a distinctive house created from the ruins of two pele towers. And, yes, I know that everything is leaning in different directions... but this is what it's like...
El otro lado del rio...
"...meet you on the other side."
Camera: Nikon D300 w/Nikkor 17-55 f/2.8
Exposure: 1/800
Aperture: f/2.8
Focal Length: 55mm
ISO Speed: 400
Exposure Bias: -2/3 EV
"...meet you on the other side."
Camera: Nikon D300 w/Nikkor 17-55 f/2.8
Exposure: 1/800
Aperture: f/2.8
Focal Length: 55mm
ISO Speed: 400
Exposure Bias: -2/3 EV
The tangled garden
With thanks to J.E.H. MacDonald, Group of Seven, Canada for the inspiration.
With thanks to J.E.H. MacDonald, Group of Seven, Canada for the inspiration.
Surf fishing on the spit at Ocean Shores, Washington.
EXIF Summary: 1/640s f/8.0 ISO100 Tamron 28-75 2.8@75mm
Dale
EXIF Summary: 1/640s f/8.0 ISO100 Tamron 28-75 2.8@75mm
Dale
"Danger in the Skies"
Some odd clouds in this photo and a butchered watermark (thanks to Lightroom 3 BETA).
Camera: Canon EOS REBEL T2i
Exposure: 0.02 sec (1/50)
Aperture: f/8.0
Focal Length: 24 mm
ISO Speed: 1600
Some odd clouds in this photo and a butchered watermark (thanks to Lightroom 3 BETA).
Camera: Canon EOS REBEL T2i
Exposure: 0.02 sec (1/50)
Aperture: f/8.0
Focal Length: 24 mm
ISO Speed: 1600
Rough Draft of an assignment for my science and society class. CnC much appreciated.
I like the concept. From the science end it looks as if the image is a commentary on the frankensteining of disparate elements that can have unforeseen results; we create for the sake of creating without any thought of the consequences.
From the social side, it could comment on the difficult that an "apple" and "oranges" demographic can have in integrating. Sometimes the issues are forced with disastrous results. If you are leaning in this direction, I like the way the orange has some brown, damaged bits; the sacrifices of compromise. This could be extended into some bruising on the apple.
Technically, I'd eliminate the vertical shadow, especially on the left. Ideally, you could manipulate the lighting so that the shadows arc though the fruit to strengthen your emphasis.
I Dunno
I dunno. Somehow I think we're talkin' apples and oranges here... or is it just me ?
I dunno. Somehow I think we're talkin' apples and oranges here... or is it just me ?
I dunno. Somehow I think we're talkin' apples and oranges here... or is it just me ?
I'm surprised that it took that long...
Kick flip...
Click for large...
Exif Info:
Exposure: 0.001 sec (1/1000)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 100
Click for large...
Exif Info:
Exposure: 0.001 sec (1/1000)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 100
Lake District - UK
Camera: Canon PowerShot G9
Exposure: 0.006 sec (1/160)
Aperture: f/4.0
Focal Length: 18.9 mm
Camera: Canon PowerShot G9
Exposure: 0.006 sec (1/160)
Aperture: f/4.0
Focal Length: 18.9 mm
