All this pro vs pro **** is hilarious.
People work in different fields, have different requirements for specs, CPU vs GPU, I/O's etc.
I work in the film/commercial industry in LA and I love this thing. All of my equipment (~150k of it) fits onto a cart that's something like 2.5'x5.5' with two shelves. Including two reference grade 25" monitors, computer monitor, scientific waveform monitors, color panels, laptop, backup battery, every type of media reader you can think of, video hub/switcher, hundreds of feet or bnc and fiber cable and a lot more **** than I can list.
My point being, I have a lot of **** and minimal real estate available to me. And I still have to find room to charge the boss' iPhone. And I still have to push this **************** around. And it has to fit into a village blackout tent that's 8x8 and all the cases for all of this gear has gotta fit into a 144" high roof Sprinter.
Now, I don't like to toot my own horn or **** like that, but I can't imagine anyone having a more computer or generally intensive job as me. I'm the middle man between production and post. I work for the DP all day and advise on decisions relative to the camera. Then I manage all the media shot. Then I color correct everything. Then I sync all audio. Then I create deliverables for post. All the while I'm chasing around the ****ing camera all day with a bnc cable in my hand so that I also have picture up in the tent. And imagine my day if we've got three or more Alexa's or epics.
All of this, by the way, has to be done at the same speed of which we are shooting. No one can wait on me or a lot of money is wasted. And I need to have drives available to overnight to editorial in NYC that have cam and audio original, sound synced colored deliverables, and logs, ALL within about 20 minutes of camera wrap.
People work in different fields, have different requirements for specs, CPU vs GPU, I/O's etc.
I work in the film/commercial industry in LA and I love this thing. All of my equipment (~150k of it) fits onto a cart that's something like 2.5'x5.5' with two shelves. Including two reference grade 25" monitors, computer monitor, scientific waveform monitors, color panels, laptop, backup battery, every type of media reader you can think of, video hub/switcher, hundreds of feet or bnc and fiber cable and a lot more **** than I can list.
My point being, I have a lot of **** and minimal real estate available to me. And I still have to find room to charge the boss' iPhone. And I still have to push this **************** around. And it has to fit into a village blackout tent that's 8x8 and all the cases for all of this gear has gotta fit into a 144" high roof Sprinter.
Now, I don't like to toot my own horn or **** like that, but I can't imagine anyone having a more computer or generally intensive job as me. I'm the middle man between production and post. I work for the DP all day and advise on decisions relative to the camera. Then I manage all the media shot. Then I color correct everything. Then I sync all audio. Then I create deliverables for post. All the while I'm chasing around the ****ing camera all day with a bnc cable in my hand so that I also have picture up in the tent. And imagine my day if we've got three or more Alexa's or epics.
All of this, by the way, has to be done at the same speed of which we are shooting. No one can wait on me or a lot of money is wasted. And I need to have drives available to overnight to editorial in NYC that have cam and audio original, sound synced colored deliverables, and logs, ALL within about 20 minutes of camera wrap.
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