Of course it does.
Apple Music is so cheap and convenient that I think it beats pirating which has a cost of close to zero.
So if you want to listen to a lot of different music this is how I view the different offerings:
Streaming: A small cost, convenient
Pirating: Almost no cost, labor intensive and inconvenient
iTunes: Expensive, convenient
CDs: Expensive, labor intensive and inconvenient
Here in Norway pirating of music went from extremely high to very low in just a few years after streaming services were introduced.
just priced 10 Bach discs in dollars through itunes, comes to 63.8 pounds. I guess cost is less in USCDs are much cheaper than iTunes. I recently got a set of 10 Bach cantata discs for £55. On iTunes, it would have cost me £80. And a few months ago, they were £160 on iTunes.
iTunes albums need to be 40-50% cheaper, in my opinion. Ie. £4-£5 rather than £8, which most are in the UK.
You seem to miss that people who didn't spend any money on buying music will pay for streaming. 10 songs for $10 not appealing. 30 million songs on demand for 12 months, for $120 appealing.
Yes I can get
Yeah because the ability to discover music you like is magnitudes greater on AM than on pandora and iTunes. Your whole argument hinges on not finding much music you don't already own to listen to, yet that is the core of apple music.
I own more music than you and if I had the option to have rented it for the last twenty years instead of buying it (not to mention the massive time investment it would take to make digital files out of purchased CDs) I would have snap accepted and I would have been much better off because of it.
You have paid much more than a lifetime of streaming would have cost in the music you have purchased. Your position only begins to have merit if humans become immortal.
New music will continue to drive the revenues of every music form forever. That I don't listen to as much newer music as I used to means the fear of me losing out on all that old music via tiers or gouging is highly unlikely.
Someone who can't fathom discovering 120 new songs in a year just by osmosis probably has no business arguing so strenuously against a music service.
In the first five days of using am it paid for itself for the year over me buying music. I am opened up to thousands and tens of thousands of songs through curation and other features to find music that interests me. You are limited to word of mouth and pandora.
It's only a small number for you. For the average person it is fairly sizable.
Your biggest problem is your discovery methods are horribly ineffective to non-existent. So you just fulfill your own claims by saying there is not enough music out there to listen to, even though the ways you apparently use to discover music are not very effective.
I am starting to believe you have a music collection where little to no money went to the artists or labels.
Being a genre fan is a thing of the past. It was a way to commit so you didn't waste money exploring. And it eventually became part of a person's identity. People just 10 years older than me think it's weird that I listen to music that "isn't my style," meaning how I dress I guess. Today's availability of music allows people to not need to commit to a certain lifestyle. Younger listeners, and listeners in the future, don't really have the concept that older people do; that is "I am my genre of music."
If you're looking for the same kick you got when discovering britpop, you won't get it by rediscovering britpop. If you're committed to a certain genre, you'll never get that feeling again by going down the same path. But also, you won't want to step out of your comfort zone. It's a lose/lose. Do you want something that sounds new? no. Do you want something that sounds like what you already like? sure, but that sound was already perfected (is a current mid-90s britpop revivalist band ever going to do it as good as Blur?) You say that alternative and rock aren't special right now, but maybe it's because your looking for something that's just derivative of what you already like. It's set up to fail you. Also, maybe you have fond memories of the Hot 100, but referencing its current quality to indict the quality of all current music is just... absurd. No one thinks the Hot 100 is good. No one. Music fans hate it. It only reflects what Clear Channel thinks will put people into a daze long enough until the next commercial wakes them up. Radio used to be a great thing and the old Hot 100s reflected that. The Hot 100 is more an indictment of radio, not current artists.
I listen to every genre of music, and I'm regularly in the process of discovering sub-genres. Right now I'm on a metal kick. It gives me the same joy when I dived deep into hip hop years ago. And every sub genre has great monumental classics. The back catalog of great influential albums is massive when you take it to the scope of all of music. Streaming is a really good solution for me. And I think it will be great for people in the future who take a post-genre view of music.
I think here is the difference between you and me. I have about 1600 songs that I "care" about in my iTunes library of about 20 000 songs (a majority pirated). These 1600 songs I listened to several times a year. Just buying these would cost $1600. In addition there is probably another 5000 songs that I don´t care that much for and I only listen to them once every other year.
And for people between 10 and 30 it is a really cheap way to get a lot of music. In those years your musical taste changes a lot and I could easily see that you run through as much as 10 000 tracks during that 20 year period.
I think the reason I'm not that into the new pay service is simply that I myself just don't really enjoy constantly discovering new stuff and/or listening to things and artists I've never heard of. I stay much much closer to my sphere of likes and enjoy very occasional branches off of that.
Very interesting topic for sure
To the average person, Streaming is Radio and Radio is free so there's no need for them to pay for Streaming.
No one "Genre surfs" once they turn 20.
That's an interesting attitude. And of course, if that is the case, then streaming is really not for you.I think the reason I'm not that into the new pay service is simply that I myself just don't really enjoy constantly discovering new stuff and/or listening to things and artists I've never heard of. I stay much much closer to my sphere of likes and enjoy very occasional branches off of that.
That is completely untrue.No one "Genre surfs" once they turn 20.
Really, really, really, please speak for yourself.By that time they know who they are and what they like. So this mythical back catalog of "30 Million Songs!" means nothing since you'd never in a million years want to listen to 29 Million of them. Take out the artists you don't like within your Genres, take out the 7 out of 10 songs that are album filler, take out the tens-of-thousands of songs you already own, and you're left with a very narrow subset.
No, it opens me up to the stuff that I usually wouldn't buy. Why is that automatically mediocre? I am currently listening to stuff that I never felt like buying, but it's certainly not mediocre. In fact, it's probably someone else's favorite music.Apple Music just opens you up to the mediocre. And makes you pay for it. No thanks.
I think very few people still pay data charges when listening to music at home. And for listening to music outside your home, there is the offline listening option.To a 10 year old or a 15 year old, the data charges will eat you alive.
People are committed to much higher payments on a lot of stuff. I pay nearly $1000 a month for my apartment. Own a car? Well, say hello to rather high monthly payments for the rest of your life. Want cable TV service? That's more than $10 a month for most people. Want to use a mobile phone for more than pure reachability? Monthly payments! And so on. No idea why music should take a lower priority there.The commitment to 50 years of $10 monthly payments is harsh.
Most people feel just as you do. And that's why the average spend on iTunes is $12 a year.
Apple Music offers the tempting thought of owning every song ever made and it's just not true. And even if it were, it would be like the early days of Napster where people went without sleep and called in sick for a whole week so they could download every song they ever wanted. And then they ran out of artists they liked. And then they just became consumers of the new stuff. And the music industry has never been so bad. And so they aren't going to make a big financial commitment for mostly lousy products.
BJ
You don't know me or what my collection is comprised of. I have a bigger iTunes Library than anyone I know and I know a lot of people. People come to me for new bands I've discovered, people compliment me when I host a party and the music is kickin', I have 100's of Playlists that I've curated myself and it's what I listen to the most. It's scary when you realize how unimportant music is to the average person. It's background noise. It's what they listen to in the car to avoid boredom or if sports radio is having a weak day. There is no huge audience for something like Apple Music. It's a small subset of us that are relatively hardcore and the problem with that is that we already own what we want from the past and we know how to discover new tunes in the present. It's what we're good at.
Since you're struggling with this, here, let me make it really simple for you:
To the average person, Streaming is Radio and Radio is free so there's no need for them to pay for Streaming.
-and-
For the music enthusiast, Streaming is a poor substitute for downloading, the catalog is incomplete, it forces you to let Apple take over your Library, and it sucks you into a lifetime of paying a monthly fee.
BJ
I will never like Reggae except on a beach in the summer. I will never like Jazz except at a dinner party. I abhor World Music as much as I dislike people who drive a Toyota Prius. The greatest Latin song ever written might be unleashed on the planet tomorrow and I won't care one iota. It's not what I'm into.
No one "Genre surfs" once they turn 20. By that time they know who they are and what they like. So this mythical back catalog of "30 Million Songs!" means nothing since you'd never in a million years want to listen to 29 Million of them. Take out the artists you don't like within your Genres, take out the 7 out of 10 songs that are album filler, take out the tens-of-thousands of songs you already own, and you're left with a very narrow subset.
And in that context, Apple Music vs. iTunes Radio for the Genres you like is a landslide win for iTunes Radio. Set up a dozen custom stations, listen to the stock stations, you're getting as much exposure to the new stuff as you would on Apple Music. And it's free. There just isn't enough great new music released each year in the Genres you like to accidentally miss something great. Apple Music just opens you up to the mediocre. And makes you pay for it. No thanks.
BJ
I'm 49 and I still "Genre surf" and always have done. I have a very diverse taste in music and a willingness to be open minded and love discovering new stuff to listen to as well as enjoying music I've listened to for the last 30+ yearsNo one "Genre surfs" once they turn 20.
I will never like Reggae except on a beach in the summer. I will never like Jazz except at a dinner party. I abhor World Music as much as I dislike people who drive a Toyota Prius. The greatest Latin song ever written might be unleashed on the planet tomorrow and I won't care one iota. It's not what I'm into.
No one "Genre surfs" once they turn 20. By that time they know who they are and what they like. So this mythical back catalog of "30 Million Songs!" means nothing since you'd never in a million years want to listen to 29 Million of them. Take out the artists you don't like within your Genres, take out the 7 out of 10 songs that are album filler, take out the tens-of-thousands of songs you already own, and you're left with a very narrow subset.
And in that context, Apple Music vs. iTunes Radio for the Genres you like is a landslide win for iTunes Radio. Set up a dozen custom stations, listen to the stock stations, you're getting as much exposure to the new stuff as you would on Apple Music. And it's free. There just isn't enough great new music released each year in the Genres you like to accidentally miss something great. Apple Music just opens you up to the mediocre. And makes you pay for it. No thanks.
BJ
You seem to miss that people only spend $12 a year on iTunes because there simply isn't enough quality music worth paying for.
So throwing around "30 million songs!" doesn't make the problem better, it makes it worse. Hearing the same song a few times is what makes it 'stick', makes you want to buy it. Going from The Hot 100 to The Impossible 30,000,000 makes the odds of hearing the same song twice far smaller, makes the odds of wanting to pay for a service like that even more remote.
I listen to hundreds of songs a year on the radio. I purchase a dozen or so a year because that's the number that actually meant enough to me to keep them and want to hear them in the future. I won't pay 10x more money to listen to more songs I don't like.
BJ
Don't confuse the two arguments:
There is me who might buy 75 songs a year if compelled to do so or spend $0 a year if it's slim pickin's. And then there is the typical average iTunes user who downloads 12 songs and spends $12 a year. That's who we're talking about right now.
For the typical average iTunes user, they don't spend money on music so they're not going to spend on it now. Downloads (2002), Bonus Videos (2005), iTunes Extras (2009), iTunes Radio (2012), Apple Music (2015) it's the same story. They try and try to compel people to do something they won't do. I don't like peanut butter. You can offer me a two-fer, you can offer me a bundle, you can offer me an unlimited auto-delivery program, I just don't like peanut butter so there's no point.
To most people, music is 'radio' and it's free. And if there is a song that you must hear immediately and over and over again you buy it, or if there's a favorite artist whose work you must have to listen to as part of the collection you buy it. And that's it. Most music is catchy and played regularly. I can hear a new Katy Perry tune or Maroon 5 tune and really like it but I know it's very popular and I know that I'm going to hear it twice a day for the entire summer and once it's September I'm going to be bored of it. So I don't need to buy it. Same for Streaming.
BJ
No, just no.
Im 34 and I genre surf.....
That's an interesting attitude. And of course, if that is the case, then streaming is really not for you.
For me, it's the opposite. I need new music every now and then. I have mentioned before that as a teenager, my means of discovering music was meeting with other guys my age, and they brought in music that they liked. Heck, I remember how my best friend played music to me over the phone every now and then. When I was in my twenties, that discovery mechanism faded away. I remember how I had somewhat of a "depressive period" in my mid-twenties where I felt that all the good music had already been written and that I had already heard everything worth hearing. People told me than that this is a weird thing to say, but I realize now that it was because I had stopped discovering new stuff. Streaming finally fixed that problem for me. So for me, that tiny monthly sum is a great investment.
Yes, just yes. This service exists today. The promise of "access to 30 Million Songs!" has been around since Marconi, I've got about 20 of 'em in my office and home and car, it's called "Radio". Streaming is Radio. It's FM on steroids. It's music you're free to listen to but you can't own. It doesn't get people very excited.
And that's awesome. You and the other 1% of the population that are fully open to hundreds of different Genre's of music after 34 years of life on Earth are to be commended for your openness and are probably the only consumers that can make good use out of Apple Music and it's $120 cost.
BJ
You put a higher value on albums than the vast majority of artists who created them. Unless you're listening to concept albums or classical music, 99% of the albums are just a bunch of songs thrown into a certain order that ranges from "We spent a few minutes thinking about it and then the label overruled us anyway" to "Completely random". Artists either have 15 demos, and the producer and/or the label pick the ones they consider the best ten, or they have 5 songs and then try hard to come up with a bunch of fillers to be able to release a complete album, so there is no over-arching concept there. Even for my favorite musicians, I have to acknowledge that some songs on their albums are really filler material, and I think very few musicians really think of their albums as "complete coherent works of art".Well I'm not under 20 but thanks. And no, iTunes Radio is worth less than nothing to me. I see albums as complete projects like movies. Having a bunch of songs on shuffle is like shuffling YouTube clips of the "best" parts of different movies, in my opinion.
Can you name 1 band that made its last record and went undiscovered in 1985 that turns out to be truly fantastic today? In the history of recorded music, almost 100 years, has there been a band so terrific that the world simply overlooked and decades later then discovered? Nope. You're looking for the Loch Ness Monster. You should stop.
There are so few good bands that the good ones always bubble up. They always do. Not to mention, it's the record-companies job to make sure that they promote them properly and get them broken. It's not our job to pay 10x what we normally do for music to dig them up like precious gold in a dark mine.
BJ