Felt the need to listen to the other Canadian band. Saw these guys many years ago in Baltimore, (with Mountain) and it was a really great show, (even though I got hit dead in the eye by one of their lasers).
I heard some people on a syndicated radio show talking about this. Apparently Bob Segar did a song with them at one point on the tour. That would be something to see!FYI: The Eagles are on tour. Glenn's son Deacon is filling in for Glenn, similar to how Clarence Clemmon's son is filling in for Clarence in the E Street Band.
I wondered how well Jackson Browne would be in the Eagles, as his voice is a match for Frey's, and seeing that they basically wrote half the songs together with Henley on the first 2 albums.
BL.
I heard some people on a syndicated radio show talking about this. Apparently Bob Segar did a song with them at one point on the tour. That would be something to see!
Yeah they mentioned that. Bet there was a heartache that nightBob Seger wrote Heartache Tonight with Glenn Frey. Then he turned it down, thinking it wasn't going to be a hit...
Oops.
BL.
Yeah they mentioned that. Bet there was a heartache that night
Listening to a classic from The Eagles' 'Hotel California'.
Great song, (and I love it), but I have (idly) wondered to what extent it may have been influenced by the superb Jethro Tull song "We Used To Know"?
You mentioning Jethro Tull got me digging through the albums, thanks.
And now, listening to the album "Selling England By The Pound" courtesy of Genesis.
Great album. Especially love the long intro in The Firth of Fifth track in that one, and the ensuing pedal points in the thing.
Vivaldi’s L’oracolo in Messenia, an opera composed for the autumn Venetian carnival season of 1738. So many wonderful works were written for these festivals. So much work. So great that many of these "tossed off" gems have survived. Nifty to bump into them on Apple Music; I like thinking of Vivaldi sharing a hangout with rockers and rappers and the likes of Eilen Jewell with all of them homing in on love and betrayal.
Europa Galante / Fabio Bondi
Ann Hallenberg Franziska Gottwald, Julia Lezhneva, Magnus Staveland, Romina Basso, Vivica Genaux, Xavier Sabata
Virgin Classics (EMI 2012)
Love Vivaldi operas, and can listen to them while doing other things. That’s not at all meant to be rude, either... as when some suggest that Vivaldi wrote the same concerto gross 500 times. Just sayin’ that with a Vivaldi opera, I don’t generally find myself standing in the kitchen or mudroom with a mop in hand and transfixed for minutes on end, as can happen to me when listening to, say, Anna Netrobka singing Rachmaninoff’s Zdes' khorosho, Op. 21, No.7.