My mother was partial to her music, as well.Well in spite of everything this song holds a special place as Nana Mouskari is a favourite of my Mom.
Greek Carol "Christos Genate"
Wonderful.Playing a duo gig with a bass player on Friday, so I'm getting myself ready! I mean, I've done them before, so nothing too out of the ordinary...
Oh, it went great, thanks for asking! He and I play so well together. And I completely agree, it does not get enough recognition, but yet, it's such an important instrument.Wonderful.
I hope that it went well; actually, I love seeing (hearing? listening to?) the double bass when used outside of the setting of formal classical music.
Now, I love it there, too, but it is a wonderful instrument that deserves wider exposure.
That is excellent - I hadn't expected an instrumental piece, much such music is sung - and I thoroughly enjoyed listening to it. Actually, I love instrumental folk music of that sort.Anyone know anything about the history of this song? I just ran across it, and there's an American folk song with the same title—this appears to be a Scottish version, or at least it's played by a Scottish musician. Are the two related? From my limited research (and just knowledge of music), American folk music is at least partially related to (or descended from) English/Irish/Scottish music. I like this one a lot more though.
Fantastic.Went to the opera last night (first time in ages and ages) to see this comedic opera by Strauss:
Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer)
Was marvelous and the theatre (Grand Theatre of Geneva) was full. I was pleased to see a large proportion of young people, I mean young couples and groups of friends in the audience. Hope for the Millennials and Zoomers.
BTW the mise-en-scene for this version was done by Herr Christoph Walz (he wasn't in attendance). I need to go to Vienna and Milan soon.
I realised out a long time back that a symphony orchestra or opera is impossible to replicate on any format. Far better to enjoy the event. While I have 1K> albums non are the classics for the very same reason. Thankfully there is a strong support for the art's in the cityFantastic.
How wonderful.
I'm delighted (and impressed and envious); I hope that you really enjoyed it.
Several years ago, I had the exquisite pleasure of seeing Don Giovanni (which comes to us courtesy of the genius of W A Mozart), in Prague, in the very opera house, (the Estates Theatre), where it had originally premiered in 1787.
Another exceedingly powerful piece of music, strangely compelling, and a terrific example of an excellent adaptation of an already gripping written work.Jeff Wayne's epic space opera
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Took the world by storm in the day, not much has changed for those that care to listen
Q-6
Thunderchild - Richard Burton's voice over is very fitting indeed. OG radio broadcast is available, well worth the time to listen.Another exceedingly powerful piece of music, strangely compelling, and a terrific example of an excellent adaptation of an already gripping written work.
Actually, I was struck by the outstanding nature of the cast when I first heard (and listened to) this wonderful work.Thunderchild - Richard Burton's voice over is very fitting indeed. OG radio broadcast is available, well worth the time to listen.
Q-6
So do I, and I'm glad you enjoyed it!That is excellent - I hadn't expected an instrumental piece, much such music is sung - and I thoroughly enjoyed listening to it. Actually, I love instrumental folk music of that sort.
No, I haven't! And I also still need to listen to those other groups you recommended last week. I'm very interested though!Have you come across any of the music of the (incredible) American group, The Dead South?
Yes, very much so.So do I, and I'm glad you enjoyed it!
Let me know what you think of them when you do.No, I haven't! And I also still need to listen to those other groups you recommended last week. I'm very interested though!