I made even more music, or at least I mixed it and then listened to it with speakers and decided to tone down the reverb
https://soundcloud.com/ashley-pomeroy%2Fmetronome
Logic has a "bounce in place" feature that essentially renders a track with all of its effects as a separate audio file, which is useful because the processing overhead for just playing audio files is very small. This track uses a mixture of physical instruments (the evolving bassline is a multi-layered Behringer Model D, some of the drums are from a Korg Volca Sample) and virtual instruments (the buzzy lead line and the stabs in the background):
The place I work has a policy whereby any leave you have already booked has to be taken. You can't cancel it, otherwise everybody would cancel and rebook leave in September / October, and the place would be empty! This is unfortunate because on 21 May I was due to fly to Greenland to walk the arctic circle trail, and if all had gone well I would right now be on a ferry from Sisimiut to Ilulissat.
Instead I'm sitting at home. The good thing is that I can order large objects from the internet and not have to take a day off work to accept them. I keep looking at the Mac Pro 1,1. It's hobbled by a 32-bit bootloader which limits it to OS X 10.7.5, but that's not a huge problem because I would literally only be using it for Logic 9. It also has PCI slots, so I can continue to use my excellent old MOTU audio interface.
But on the other hand I could pay slightly more and get a slightly more modern Mac Pro and actually use it as a general-purpose computer, except that there are only a handful of late aluminium Mac Pros on eBay in the UK, and they're ludicrously overpriced, perhaps on the assumption that the tubular Mac Pro was a dog and the modern Mac Pro is thousands upon thousands of pounds.