Oh god don't mention the Voigtlanders! I've spent most of the day trying to convince myself that I can afford a Nokton 50mm 1.5 for my Fuji XE1.....failing miserably and then looking at the 40mm 1.4 MC again instead. I've got a Heliar 15mm and it renders so beautifully that I feel that I really "need" another Voigtlander in my collection.
The 50/1.5 is the way to go I think IMHO. The 40 is nice but you have the Fuji XF covering close to that focal length.
Hold out for the 50/1.5 it will be worth it would be my thoughts - but you know i am daft and have all the gear but no idea...
Beautiful photo, I love this scene. You do find interesting places! You must do plenty of research before you move on to the next town.
No putting yourself down fella! You once told me that was everyone else' job when I did it, so let us all carry the burden of criticising you
There are folks around with all the gear and less idea than you, that's for sure.
I spent ages trying to get this cow to look at me. He seemed more interested in his grass.
_DSC0341 by apple fanboy1, on Flickr
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You've captured the fun element of the photo perfectly. It conveys the emotion of two friends larking about very well.
Thank you. I have a few books in my camper that help me to organise my photography. I'd like to say I do a bit of research every night, about what I might shoot the next day, but, in truth, I'm not as organised as I should be...
Lower Brockhampton Hall...
No, don't put yourself down, you're getting way ahead of me
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Had a crack at a portrait the other day, bearing in mind we were away and I only had a speedlight with me -
Me And My Best Girl by Hugh Russell, on Flickr
Cheers
Hugh
No, don't put yourself down, you're getting way ahead of me
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Had a crack at a portrait the other day, bearing in mind we were away and I only had a speedlight with me -
[url=https://farm8.staticflickr.com/7656/17079156817_0113e5fd00_b.jpg]Image[/url]
Me And My Best Girl by Hugh Russell, on Flickr
Cheers
Hugh
I'm thinking the same thing. The 40 isn't much of a difference from my 35 and I've also got a 45mm. Going to have to sell some lenses to free up space and funds methinks.
No putting yourself down fella! You once told me that was everyone else' job when I did it, so let us all carry the burden of criticising you
There are folks around with all the gear and less idea than you, that's for sure.
Thank you kindly for your encouragement.
Even more so, with a 45mm I think the 40mm would be a waste. Strangely though, the 50mm would be different enough.
I had a Contax 45mm Tessar and it was razor sharp, gorgeous pancake lens, lovely, overpriced now but 50 always felt different enough to it.
I will say though, and please take notice of this, honest moment... I have spent a fortune on the Leicas and other lenses along the way and honestly... the difference is subtle, it is there but not THAT much that I can hand on heart and say it is worth the extra money.
For what it is worth, I think the images you produce in particular are fantastic and I doubt you will get that step change you hope for.
I will say though, and please take notice of this, honest moment... I have spent a fortune on the Leicas and other lenses along the way and honestly... the difference is subtle, it is there but not THAT much that I can hand on heart and say it is worth the extra money.
Forgive me if you're not looking for feedback.
Maybe it's just personal taste but it's a great expression but the tones come off a little flat. It's a sea of greys with no real black or whites.
My dad was a photographer back in the day and we have loads of prints on the walls from the days of tri-x with great deep blacks and punchy whites so maybe I'm used to a different style.
Yes I fully agree, it's too flat.
I've gone back and quickly added some contrast - better?
Me And My Best Girl by Hugh Russell, on Flickr
My dad was a film photographer of some repute - if he was alive today I'd no doubt be getting his opinions (whether I like it or not )
Love yours by the way...
Cheers
Hugh (and feedback is ALWAYS welcome)
Better! My one suggestion would never to be 'add contrast' as I believe this does this linearly to the whole photo.
If you are using LR my favourite way to make a start with the blacks and whits is to drag the whites and blacks on the histogram BUT hold down ALT whilst your doing it.
The screen will turn black and as you slide will slowly start to show you when respective pixels are turning pure white or pure black (depending on adjusting one or the other). Once something is pure white/black slide it back a little (to ensure no clipping) and then make your other adjustments.
This helps me ensure that most of my shots are using the full tonal range.
What was your dad into?
My Dad worked under Eugene Vernier (vogue photographer) before catching his own break!
No, don't put yourself down, you're getting way ahead of me
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Had a crack at a portrait the other day, bearing in mind we were away and I only had a speedlight with me -
[url=https://farm8.staticflickr.com/7656/17079156817_0113e5fd00_b.jpg]Image[/url]
Me And My Best Girl by Hugh Russell, on Flickr
Cheers
Hugh
You taken your photo down?
Cheese&Apple: I don't want to get dinged for multiple posts so I'll add this here. Very smart editing on the owl pic.
Funnily enough I also had a crack at a "selfie" of Me and Mrs MacRy last year in a very similar setting and I didn't like the output from mine either. Early days of using off camera flash for me. I'm sure I could do better now with a few months under my belt.
I quite like this one MacRy. For a posed shot (not normally my thing) it has a very genuine and honest feel. I hope you're thinking of framing this one.
~ Peter
Funnily enough I also had a crack at a "selfie" of Me and Mrs MacRy last year in a very similar setting and I didn't like the output from mine either. Early days of using off camera flash for me. I'm sure I could do better now with a few months under my belt.
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I'm thinking the same thing. The 40 isn't much of a difference from my 35 and I've also got a 45mm. Going to have to sell some lenses to free up space and funds methinks.
No putting yourself down fella! You once told me that was everyone else' job when I did it, so let us all carry the burden of criticising you
There are folks around with all the gear and less idea than you, that's for sure.
Also, for a real good 50, consider the Leica Summicron-R, not surprisingly, I have one of those too and it is real sharp and real easy to focus.
Bit more bulky than an M though.
A bit out of my price range unfortunately.
I miss my 100-400 EF :-(
A7 ii is the image stabilization good on the FD? I fancy an upgrade from my mk i...
Oh god don't mention the Voigtlanders! I've spent most of the day trying to convince myself that I can afford a Nokton 50mm 1.5 for my Fuji XE1.....failing miserably and then looking at the 40mm 1.4 MC again instead. I've got a Heliar 15mm and it renders so beautifully that I feel that I really "need" another Voigtlander in my collection.
The 100-400 is too damn heavy, honestly. Now that I've gone all light and small, I can only take it out for birds/wildlife and similar (on the 6D). Otherwise it stays at home and may end up sold soonish.
The IBIS (in body stabilization) on the A7mk2 is fantastic. It's the main reason I was finally convinced to switch over to Sony. It works on all lenses (non Sony included, old MF lenses too). You set the focal length in the menu for non native lenses (which can be a bit of a hassle, if you keep swapping lenses). Native lenses it's all automatic, obviously. I've used it on my Canon lenses. I've used it on the FD50 and even more importantly on the Vivitar 135/2.8 (at those longer FLs, stabilization helps immensely when trying to manually focus).
Funny you mention the 15mm Heliar. It's the next item on my list. The 40 Nokton I've used was a friend's and I only had it for one afternoon, but was very impressed. That's a focal range that I don't need ASAP (well covered by my 24-70 or similar for now). On fullframe, at least. I will want a 35mm or 40mm prime at some point. But there are MANY excellent choices in that focal range.
The 15mm on the other hand is a trickier FL to get right. So I'm very happy to hear your Heliar renders nicely. Do you have any samples (or a Flickr link)? I'd love to take a look at more shots from it.
Finally, went shooting on Saturday, on a rare cloudy day here in SoCal.
Pelican Cove
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Funny you mention the 15mm Heliar. It's the next item on my list. The 40 Nokton I've used was a friend's and I only had it for one afternoon, but was very impressed. That's a focal range that I don't need ASAP (well covered by my 24-70 or similar for now). On fullframe, at least. I will want a 35mm or 40mm prime at some point. But there are MANY excellent choices in that focal range.
The 15mm on the other hand is a trickier FL to get right. So I'm very happy to hear your Heliar renders nicely. Do you have any samples (or a Flickr link)? I'd love to take a look at more shots from it.
I can't link you to Flickr to show you any as I don't have them all in one place I'm afraid so I'll have to post a few here and hope the regulars will forgive me breaking the rules on this occasion.
These were all shot on my Fuji XE1
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Sorry everyone. I now can't post for a week
Edit: Oh and I just bought a used Nokton 50mm 1.5 off of eBay....