Wow - that's a great price for back in 2005 - I was in the middle of a big breakup then and dividing up 'my estate' too - regretably a lot of my tech gear got thrown in a skip out of frustration/no time to be ebaying!
Had a lot of that as well
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The final price made sense around that time, in hindsight. It was in that time period where power electronic music and noise was rising, as many non-musicians were discovering that they too could create something without having to put in the time to learn music theory, compose music, and how to play an instrument, and play dress up and look the part. A website popped up consolidating everything (
https://harshnoise.com/, thankfully long gone now, but the site would appear/disappear frequently as the infighting predictably started). It contained instructions on what gear to purchase, how to manipulate the gear to find sounds and make a lot of racket without actually composing anything, which artists and groups that pioneered this stuff and who they could rip off, a list of "rules" of power electronics to follow, and more, and lots of projects started appearing that seemed pretty generic to me. Having put out a few cassette and 7" recordings (solo and collaboration) many years prior to all of this, and having actually composed all of my music rather than banging on effects pedals, extremely clipping the output, and screaming, I found this abhorrent and moved to a more ambient direction with my own compositions. I guess that makes me a "hipster" 😆. Now, it may sound like I am/was bitter, but my feelings were more along the lines of, "Why must we dilute everything?" The whole thing really got silly and stereotypical, and was more about the gear and the image rather than the music. Their "review" of my 1994 cassette recording (totally unsolicited), stating (in so many words) that I wasn't following their rules so it sucked, was the icing on the cake for me.